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TATSUYA SUGIMOTO
Born 1993, Kochi, Japan; lives and works in Hamburg.
CV
Education
2012 - 2016 in Kyoto University of Art Department of Film
2018 - 2022 in University of Fine Arts Hamburg Department of Sculpture
Selected Group Exhibitions
2024 Please ask me if you have any questions(Holger Priess Gallery, Hamburg DE)
2023 Ibasho ♯2, The place where I/we can be(Hokkaido University of Education Gallery, Hokkaido JP)
2023 Schnee von Gestern (Kunstverein Lüneburg, Lünebug DE)
2023 UNCUT WAYS ( La volonté 93,Paris FR )
2022 Easter Field Festival ( Osterfeldstraße 6, Hamburg DE )
2021 Abstecher ( Danziger Str.22, Hamburg )
2021 I Rejseleve ( Heaven20, Copenhagen )
2020 7+1 Künstler aus Japan - Gedanken nehmen Gestalt an ( Galerienrundgang Charlottenburg - Berlin )
2020 Small Is Beautiful ( Mikiko Sato Gallery, Hamburg )
2019 Ibasho,The place where I/we can be (Frappant e.V. , Hamburg )
2019 TOSA no MOSA (Museum of Art WARAKOH,Kochi )
2019 Espace de Réflexion (Spiral Garden,Tokyo )
2019 Parallel Picnic (Krebs-Kontor, Hamburg )
2018 TSJK ( Kochi Museum of Art, Kochi )
2017 The red car is passing through the gallery ( KUNST ARZT, Kyoto )
Award
2022 Karl H. Ditze Prize
Grant
2022 POLA Art Foundation
2021 EU-Japan Fest Japan Committee
Please ask me if you have any questions, 2024
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Please ask me if you have any questions, 2024
Foto: Fred Dott
Foto: Fred Dott
Schnee von Gestern, 2023
Schnee von Gestern, 2023
Schnee von Gestern, 2023
Schnee von Gestern, 2023
Schnee von Gestern, 2023
Schnee von Gestern, 2023
Import/Export, 2023
Import/Export, 2023
Import/Export, 2023
Import/Export, 2023
To ventilate a piano, 2023
Transit, 2022
Foto: Tim Albrecht
Transit, 2022
Installation view with Mette Velling
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit,2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
Foto: Tim Albrecht
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
This space was the studio where I worked for four years and was called k25 before
the exhibition. The studio next to it across the wall was called k25a and according to
a blueprint made in 1911 there was no wall between the two spaces at the time, but
one large studio; k29. With the help of the doorman, the room number in the
computer system was changed from k25 to k29, creating a situation where there was
no space called k25 in the building for the duration of the exhibition.
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
Transit, 2022
spatial installation
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
HFBK door sticker"The room number was changed from K25 to K29,the doorman was instructed to change the key number from K25 to K29.", Safety sign 40×30cm“Notausgang freihalten! / Keep emergency exit clear!”, Bus handrail Ø15cm×2.2m, Sanded and polished floor, Faltenbalg / Bus bellows 2.5×2.5×1.8m(Wall breakthrough with inserted bus part)
Transit, 2022
Photographs of war damages 1943: Atelier Schrader
Transit, 2022
Photographs of war damages 1943: Atelier Schrader
Transit, 2022
Photographs war hospital around 1915: Photographer unknown
Transit, 2022
Photographs war hospital around 1915: Photographer unknown
Transit, 2022
HFBK blueprints from 1991
Airchannel, 2022
Airchannel
At around 5 pm, a noise was heard from inside the wall, so the rat exterminator checked it out. The inside of the wall was made visible through the invoice, as was the peephole.
Airchannel
At around 5 pm, a noise was heard from inside the wall, so the rat exterminator checked it out. The inside of the wall was made visible through the invoice, as was the peephole.
Double espresso cup for two persons, 2021
small is beautiful ² ( Mikiko Sato Gallery )
Foto: Hagen Stier
Foto: Hagen Stier
Double espresso cup for two persons
Installation view
small is beautiful ² ( Mikiko Sato Gallery )
Porcelain, Volcanic rock 12.5 × 6.3 × 6.4 cm
Foto: Hagen Stier
small is beautiful ² ( Mikiko Sato Gallery )
Porcelain, Volcanic rock 12.5 × 6.3 × 6.4 cm
Foto: Hagen Stier
Double espresso cup for two persons
Installation view
small is beautiful ² ( Mikiko Sato Gallery )
Water coulor on the paper 8 × 25 cm
Foto: Andreas Weiss
small is beautiful ² ( Mikiko Sato Gallery )
Water coulor on the paper 8 × 25 cm
Foto: Andreas Weiss
Double espresso cup for two persons
Installation view
small is beautiful ² ( Mikiko Sato Gallery )
Porcelain, Volcanic rock 12.5 × 6.3 × 6.4 cm
Foto: Andreas Weiss
small is beautiful ² ( Mikiko Sato Gallery )
Porcelain, Volcanic rock 12.5 × 6.3 × 6.4 cm
Foto: Andreas Weiss
Double espresso cup for two persons
Laacher See in Rhineland-Palatinate 2020 July
small is beautiful ² ( Mikiko Sato Gallery )
Foto : Junya Fujita
small is beautiful ² ( Mikiko Sato Gallery )
Foto : Junya Fujita
Double espresso cup for two persons
Laacher See in Rhineland-Palatinate 2020 July
small is beautiful ² ( Mikiko Sato Gallery )
small is beautiful ² ( Mikiko Sato Gallery )
Travel to double landscaps, 2021
I Rejseleve ( Haven20 )
Foto:Amandus Rock
Foto:Amandus Rock
Travel to double landscaps
Travel to double landscaps
Foto: Amandus Rock
I Rejseleve ( Haven20 ), 2021
I Rejseleve ( Haven20 )
Installation view with Amandus Rock
Installation view with Amandus Rock
Travel to double landscaps( Jægersborg Dyrehave )
Chestnut tree, Olive oil ( 182×42×45 cm )
Travel to double landscaps( Jægersborg Dyrehave )
I Rejseleve ( Haven20 )
Travel to double landscaps( Møns Klint )
Chestnut tree, Olive oil ( 87×52×41 cm )
Travel to double landscaps( Møns Klint )
Chestnut tree, Olive oil ( 87×52×41 cm )
Travel to double landscaps
I Rejseleve ( Haven20 ), 2021
I Rejseleve ( Haven20 )
Installation view with Amandus Rock
Installation view with Amandus Rock
Travel to double landscaps
Travel to double landscaps
Commemorative valve, 2021
ABSTECHER ( Danziger str.22 )
Commemorative valve
ABSTECHER ( Danziger str.22 )
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
( Detail )Commemorative valve
ABSTECHER ( Danziger str.22 )
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
( Detail )Commemorative valve
ABSTECHER ( Danziger str.22 )
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
( Detail )Commemorative valve
ABSTECHER ( Danziger str.22 )
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
https://www.mikikosatogallery.com/de/kollaboration/ausstellung-in-der-danzigerstrasse/
Commemorative valve
ABSTECHER ( Danziger str.22 )
In collaboration with Patrizia-Romina Spenga, PrunkWerk in Hamburg
In collaboration with Patrizia-Romina Spenga, PrunkWerk in Hamburg
Commemorative valve
ABSTECHER ( Danziger str.22 )
In collaboration with Patrizia-Romina Spenga, PrunkWerk in Hamburg
In collaboration with Patrizia-Romina Spenga, PrunkWerk in Hamburg
BEST OF THE SEASON F/W 20/21
7+1 Künstler aus Japan - Gedanken nehmen Gestalt an ( Galerienrundgang Charlottenburg - Berlin )
BEST OF THE SEASON F/W 20/21
7+1 Künstler aus Japan - Gedanken nehmen Gestalt an ( Galerienrundgang Charlottenburg - Berlin )
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
BEST OF THE SEASON F/W 20/21
7+1 Künstler aus Japan - Gedanken nehmen Gestalt an ( Galerienrundgang Charlottenburg - Berlin )
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
BEST OF THE SEASON F/W 20/21
7+1 Künstler aus Japan - Gedanken nehmen Gestalt an ( Galerienrundgang Charlottenburg - Berlin )
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
Wood, Metal, Stethoscope, Bottle of wine 15 × 78 × 15 cm
During the exhibition in Berlin, the grape juice made in Hamburg will continue to ferment in the transport box and turn into red wine. Instead of seeing the fermentation process with your eyes, you can listen to the sound of the bubbles produced during the fermentation with a stethoscope. Just as different people can see and hear different things, through this work I have tried to find a way to accept the undecidedness of what is to come, and to let the results out of your hands.
On the last day of the exhibition, I hope I can toast together with the visitors with a glass of grape-juice-like red wine.
Cuckoo clock without clock #1 2020
Cuckoo clock without clock #1
Rest wood, Plastic 63 × 78 × 13cm
Cuckoo clock without clock #2, 20200
Rest wood, Plastic 11 × 29 × 11 cm
Cuckoo clock without clock #2
Rest wood, Plastic 11 × 29 × 11 cm
The ball is my best friend, 2019
Espace de Réflexion (Spiral Garden,Tokyo )
The ball is my best friend
Espace de Réflexion (Spiral Garden,Tokyo )
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
The ball is my best friend
Espace de Réflexion (Spiral Garden,Tokyo )
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
The ball is my best friend
Espace de Réflexion (Spiral Garden,Tokyo )
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
The ball is my best friend
Espace de Réflexion (Spiral Garden,Tokyo )
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Foto: Shinpei Yoshida
The ball is my best friend
Espace de Réflexion (Spiral Garden,Tokyo )
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
Soccer ball, Valve, Musical score
I released the air from the ball using a bicycle valve and with the sound it made, I read a letter written by morse code.
GOOD HEART MARKET, 2019
GOOD HEART MARKET, 2019
TOSAのMOSA(Museum of art WARAKOH, Kochi )
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
GOOD HEART MARKET, 2019
TOSAのMOSA(Museum of art WARAKOH, Kochi )
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
GOOD HEART MARKET, 2019
TOSAのMOSA(Museum of art WARAKOH, Kochi )
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
Woodenhouse made by rest wood, Objects
During the preparation period of the exhibition, I worked part-time in various places (restaurants, cafés, wood workshop, hotel) and received things instead of a salary. During the exhibition, visitors were asked to leave something different in exchange for being able to take something placed in the woodenhouse back home, creating a situation where what was visible was constantly changing.
Schöne Zeit, 2019
Schöne Zeit, 2019
Installation view:
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Schöne Zeit, 2019
Installation view:
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Schöne Zeit, 2019
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Schöne Zeit, 2019
Installation view:
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Hunting Chair, Gloves 174× 382 × 130 cm
I bring the hunters chair from the farm to the gallery. The hunters take vacation and I can take care of the chair, inviting gallery visitors to observe or sit on the chair.
Steps for making blue entrance, 2019
Parallel Picnic (Krebs-Kontor, Hamburg )
Steps for making blue entrance
Installation view:
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
Steps for making blue entrance
Installation view:
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
Steps for making blue entrance
Installation view:
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
Rest wood, Metal, Ink 230× 152 × 120 cm
I heard the history of the gallery used to be a crab soup factory (from a person who worked there.) At that time they used this door as a delivery entrance.
I felt inspired from it and created one kind of bridge for connecting between old history and this scene in the present. During the opening day, people could use the steps to enter the gallery space.
Parallel Picnic (Krebs-Kontor, Hamburg )
We dreamed under the same sky, 2019
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
We dreamed under the same sky
Water color on paper
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
We dreamed under the same sky
Installation view:
5:10 min Single channel, Stereo color
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
5:10 min Single channel, Stereo color
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
We dreamed under the same sky
Installation view:
5:10 min Single channel, Stereo color
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
5:10 min Single channel, Stereo color
I have asked people I know at different places in the world to screen “their” sky after waking up. These videos were filmed June 3, 2019
( Germany, Estonia, Scotland, USA, Spain, France, Denmark, Japan, Thailand )
Ibasho,The place where I/we can be (Frappant e.V. ,Hamburg )
Ball control, 2018
Ball control, 2018
Ball control
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26), 2018
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26)
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26)
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26)
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26)
Vorsicht! Frische Leihgabe(der U-Bahn Station Mundsburg an Raum K26)
From Hamburg-Fuhlsbüttel Airport to Prague-Václav Havel Airport, 2017
From Hamburg-Fuhlsbüttel Airport to Prague-Václav Havel Airport, 2017
Drawing on paper, 30 × 45 × 0.2 cm
From Hamburg-Fuhlsbüttel Airport to Prague-Václav Havel Airport, 2017
Drawing on paper, 30 × 45 × 0.2 cm
I have finished earlier than usual today, 2016
I have finished earlier than usual today, 2016
Wood, Hinge, Horsehair, Ferrari paint 173.2 × 160 × 2 cm
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
I have finished earlier than usual today, 2016
Wood, Hinge, Horsehair, Ferrari paint 173.2 × 160 × 2 cm
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
I have finished earlier than usual today, 2016
Wood, Hinge, Horsehair, Ferrari paint 173.2 × 160 × 2 cm
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
I spoke with a cleaner in the university and found he would like to finish his work earlier to be with his family. He dreamt to be a Ferrari racer.
I order to Ferrari, for coating red on the broom as a specification Ferrari.
I attempt in this work is to make his childhood dream and current problem comes ture.
Basket and Ball 2016
Basket and Ball 2016
Artificial leather, Rubber 24.5 × 14.5 × 24.5 cm
I heard the story from the owner of the building that the gallery used to be a sports office.
At that time they used this window as a delivery entrance for carrying big tables and copy machines etc... Because their stairs were too narrow.
I felt inspired by it and I asked the owner about permission to use the window for instoring my piece. Then he told me "Yes, you can do it. But please don't break the window."
I heard the story from the owner of the building that the gallery used to be a sports office.
At that time they used this window as a delivery entrance for carrying big tables and copy machines etc... Because their stairs were too narrow.
I felt inspired by it and I asked the owner about permission to use the window for instoring my piece. Then he told me "Yes, you can do it. But please don't break the window."
Basket and Ball 2016
Artificial leather, Rubber 24.5 × 14.5 × 24.5 cm
I heard the story from the owner of the building that the gallery used to be a sports office.
At that time they used this window as a delivery entrance for carrying big tables and copy machines etc... Because their stairs were too narrow.
I felt inspired by it and I asked the owner about permission to use the window for instoring my piece. Then he told me "Yes, you can do it. But please don't break the window."
I heard the story from the owner of the building that the gallery used to be a sports office.
At that time they used this window as a delivery entrance for carrying big tables and copy machines etc... Because their stairs were too narrow.
I felt inspired by it and I asked the owner about permission to use the window for instoring my piece. Then he told me "Yes, you can do it. But please don't break the window."
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